If asked to draw the human form, how would you do it? Would you draw a simple stick figure with the basics; heads, arms, legs, and a torso? Would you stick to what is universally recognizable? Would you avoid the hands, the feet, or facial features? How exactly the human form is depicted is specific to an individual and their experience with it. This is the approach I take towards my work.
In 2019 I was in two serious car accidents in a span of two weeks. It happened in the midst of a semester at Emily Carr University of Art and Design. The incidents drastically affected my approach to my work. It caused me to shift from ceramics to illustration. My work began to be drawn from my experience and inspired by the works Caravaggio, Bernini, and Dante’s “Divine Comedy: Inferno”, and focus on pieces of less detail. I began representing my new experiences with the human form on a large scale. The daily pain caused by the accident is a constant theme I express through large textures and marks that I use to create humanoid forms. Each form expresses physical, emotional, and mental pain and explores the functions and physicality of a damaged human form. All deviate from the basics traits of the human body into something uncanny and alien. Each piece is meant to convey emotional and physical trauma and experiences through the mark-making and depiction. Pain being experienced in everyday life is hard to spot, not all trauma is visible to the eye.